Hostage Three by Nick Lake

'I close my eyes, and wait to be killed. My name is Amy Fields. But the men call me Hostage Three.'

Dragged along on a so-called trip of a lifetime, Amy Fields is the victim of her Dad's mid-life crisis. His workaholic tendencies have pushed the two of them apart ever since her mother's death, but when Amy intentionally flunks her last exam at school, he decides it's time to act. Sailing around the world for a year should give them plenty of quality time together, right? Only trouble is, there's some extra baggage abroad in the shape of her Dad's young girlfriend. Cringe!

Baring a touch of seasickness and an amorous captain, the trip is a snoozefest until their boat is attacked by pirates. Yes, pirates. The real life kind with AK-47s, GPS and multi-million pound random demands. Not a cutlass in sight. And just like that, the passengers become prisoners in their own luxury home.

You've been warned: this novel is difficult to put down. Nick Lake's talent for suspense make it all too easy to keep turning the pages. Amy is a refreshing heroine, with real flaws and a healthy dose of teenage angst. Her tempestuous relationship with her father adds richness to the tale, and her mother's story slowly unwinds as the novel progresses, allowing the reader to better understand Amy's mood swings.

The setting is unique and the plot inventive, but the real page-turning element comes from Amy's irresistible tension with the pirate Farouz. Predictable maybe, but the genuine tension and affection between them is brilliantly drawn. Whilst the feminist inside me groaned at this stereotypical romanticizing of the hostage situation, the romantic was cheering them on. What can I say, I'm a sucker for chemistry.

Magic Under Glass by Jaclyn Dolamore

A confident and talented music hall performer, Nimira is tied of being billed as an exotic sideshow. She didn't travel hundreds of miles from her eastern home to wind up singing for next to nothing.

So when powerful sorcerer, Hollin Parry offers her a better wage and a bigger stage, how can she say no? Nimira has been chosen to duet with a musical automaton, a robot with impeccable piano skills, and is taken back to Parry's mansion to practice.

But is Nimira really better off in Parry's care? Strange noises from the attic, macabre fairy specimens and rumours of impending war keep Nimira from being able to relax in her new home.

That is, until she discovers a friend in the shape of a cursed fairy stuck in the body of the automaton. Determined to bring the automaton back to life, Nimira begins to uncover Parry's secrets and quickly becomes tangled in a secret world of sabotage and deathly magic.

Jaclyn Dolamore's tale felt like a breath of fresh air in many ways. Nimira's voice is clear and consistent. Sometimes she's strong, sometimes she collapses in tears. As much as I love the confident, strong and physical characters so popular in Young Adult fiction right now, I think it's really important to have a wide variety of characters for readers to identify with. Do you agree, or do you cringe when protagonists appear vulnerable?

The truth is, Nimira lives in a world in which she's officially powerless as a female. Although Parry sweeps her away from the leering men of the music hall, as a lone young girl, she still depends on male approval for survival. To gain any kind of autonomy in the old fashioned world portrayed here, she has to display strength. But unlike the Katnisses or Beatrices of this world, Nimira's strength lies in persuasion, integrity and kindness, rather than physical skill or agility.

Magic Under Glass has been billed as a romance but I think Nimira and Erris's relationship is more complex than that. There's is not a simple case of boy meets girl, and although it was touching to see their physical connection grow- all their interactions are coloured by the limitations of Erris' automaton body.

So whilst I'm more swayed by adrenaline filled thrillers like Throne of Glass and Divergent, I think there's definitely an audience for this quirky and charming tale.

Clockwork Angel by Cassandra Clare

Clockwork Angel is the first in The Infernal Devices trilogy, a prequel series to the Mortal Instruments series (yes, I'm confused too). Set in a dark and eerie Victorian London it begins with the arrival of sixteen-year-old Tessa Gray, fresh off a boat from the big apple. 

A friendless orphan, Tessa has returned to England to live with her errant brother Nathaniel. In his place, Tessa is met by two cold women, the Dark sisters, and soon imprisoned in their London home. Believing Tessa to have special powers they force her to undergo painful magical transformations. It's soon clear that there's something not quite human about Tessa, but how did the sisters know? And where is Nathaniel?

Tessa's London is threatened by a magical underworld of vampires, warlocks, demons - held together by self-appointed peacemakers, The Shadowhunters. Just as the sisters begin to hint at an upcoming forced marriage to their master, The Magister, a shockingly handsome Shadowhunter named Will arrives to sweep her away to safety. 

Installed in the Shadowhunters headquarters Tessa continues to ask questions. Is she safe with The Shadowhunters? What does The Magister want with her? And why does Will mercilessly tease her one moment, then completely ignore her the next?

This is a thrilling, satisfying instalment that definitely made me keen to continue with the series. In some ways it reminded me of the Harry Potter books - multiple characters and sub-plots knocking around a building so old and impenetrable that it's almost a character in itself. Magical beings climbing out of the woodwork and a baffled but likable main character with unwanted power. That being said, I'd much rather have Tessa fighting in my corner than Harry.

There were more than enough twists to keep me reading and Cassandra Clare kept me guessing along with Tessa on which characters to trust. Whilst there are some touching scenes, genuine portrayals of friendships and a little bit of romance, most of the book is concentrated on the action. And this makes it a brilliant read. 

Enough questions were answered in this instalment for it to feel like a complete story, whilst those that went unanswered are intriguing enough to make me impatient to begin the next book. Highly recommend.

Divergent by Veronica Roth

Imagine a world without war. Sounds great, right? 

For 16-year-old Beatrice, peace has come at a price. Her world is divided into factions, each of which prioritises a different human characteristic. Beatrice and her family live in the Abnegation faction where all members are expected to act selflessly at all times. Beatrice's problem? She's human.

Exhausted from constantly suppressing her individuality and self-interest, Beatrice approaches the traditional choosing ceremony. As they reach adulthood, teenagers are required to pick the faction that they belong in. This faction is where they will remain all their lives. No pressure then.

Beatrice faces a decision which is often mirrored in adolescence on a slightly less intense scale. Does she love herself more than her family? Can she bear to leave them in order to be free to be herself? And if so, for which faction?

This novel struck me as authentic, thrilling and touching. It was easy to empathise with Beatrice as she struggles to first know herself, and then prove her worth in an unfriendly world. She goes through a huge amount of trauma in the novel, coming out physically and emotionally changed. But these challenges only strengthen her individuality, and it's fascinating to watch her grow.

The action scenes were nail-biting and believable and all the characters, evil and good alike, had human faults. Veronica Roth doesn't shy from portraying the worst of human nature - but there are also moments of humour, friendship and hope. Best of all - it features a tension-filled romance without making this the focus of the novel. 

Blood Red Road by Moira Young

Beside a dried up lake in a futuristic, dusty world live a family of four. A bitter father, withdrawn since the loss of his wife, two grown twins, Saba and Lugh, and the lively nine year old Emmi scrape out an existence. With their father still immersed in grief, losing his head in the distant stars, Saba and Lugh are forced to battle the desert conditions to keep the family alive.

In their eighteen year, the restless Lugh begins to dream of leaving the dead-end farm. When their father is shot dead trying to stop a mysterious gang from capturing Lugh, Saba vows to track them and rescue her twin brother at all costs. Accustomed to following Lugh like a shadow and distrustful of others, Saba is determined to find him alone. Despite her lack of social graces, Saba's knack for picking up friends means that she unwittingly becomes the leader of a rebellion.

For a petulant king rules this world with a vice-like grip. Previously unchallenged, he crushes resistance with a steady supply of a sedative-like drug and the blood-thirsty spectacle of cage fighting. Fixated with the need to find her brother, Saba couldn't care less about the King. That is, until he gets in the way of her search. And though he might not know it yet, Saba is not the type of woman he should get in the way of.

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I'm sure it's not just being in the U.S this week that's making me draw comparisons between this YA action-packed novel and the Western genre. The dry, arid setting, horses, the theme of leaving a homestead, duels with 'shooters' and puffed-up gang-like leaders with hired lackeys. It's a quality which differentiates the book from the ever-present 'Hunger Games', which it's often compared to. Like many apocalyptic stories, the futuristic setting resembles more closely an older world to that we live in. The lack of modern convenience and communication in Saba's world has made her grow self-sufficient and tough-both qualities popular to young adult fiction. The author's also created a landscape which lends itself really well to an old-fashioned adventure, with hugh rocks, sandstorms, mountains and flash floods.

Saba is an opinionated protagonist with a big personality and a strong will. The characters and events she's thrown amongst during the course of this tale force her to question her opinions and actions, but the author doesn't spend a great chuck of prose on these revelations. Instead the change in Saba is shown by the way she responds to the various challenges she's faced with. Without the stalwart support of her twin brother, she ends up initiating new friendships, slowly opening herself up to the idea of relying on others. So there's a fair bit of character development going on here and Lugh's absence in the story is central to this. Whilst I can see the motivation for this, I couldn't help thinking that story could have been richer and fuller if it had also been told from Lugh's point of view.

My only other bug-bear was the style of writing. The lack of punctuation left me confused as to who was speaking and I was baffled by Saba's intermittent italicsised monologues. The kooky spelling and childish grammar means that Saba's voice is distinct and strong, but it felt a little twee at times.

That being said, the prominence of this style faded as I got pulled deeper into the story, and the self-conscious poetic element of the first few chapters was replaced by drawn-out action and suspense-filled chapter endings. I was also captivated by the sexual underpinings of Saba's interactions with a wandering rebel named Jack and the dark, brooding guard to the king, DeMalo. Moira Young recreates perfectly the insecurity, excitement and fear involved in an adolescent crush. It's fairly clear from the book's end that Young has written this with a sequel (if not a trilogy) in mind. Whilst this means that the ending can't truly be described as satisfying, I can comfort myself with the fact that Saba's likely to turn up again soon.

Crewel by Gennifer Albin

Born into a perfectly ordered world, 16-year-old Adelice has a rare and powerful gift. She can physically weave the fabric of life to control space, time and matter. Having been brought up to respect the mysterious Spinsters that wield this power, you'd expect her to be ecstatic when she finds she can join their ranks. Instead, her first experience reeks of frustration.

Aged eight, Adelice's distress at finding an abandoned bird's nest unearths her ability: 

'As I watched, the golden strands of light flickered slightly, and I realised they were slowly moving forwards, away from the moment in front of me. They weren't simply fibres in Arras's tapestry-they were lines of time. Tentatively, I reached for one of the golden fibres. Encouraged by its silky texture, I took it and yanked it hard, trying to force the time bands back to a moment when the mama bird was guarding her precious babies. But the strands resisted. No matter what I did, they kept on creeping forward. There was no going back.' 

 It's a hard lesson: controlling the world around her doesn't guarantee the safety of those she loves.

Adelice's talent is valuable and those in power will stop at nothing to control her. Once they have her there's no going back. Having been whisked away from her family, Adelice is faced with a terrible choice: work for those that tore them apart or be killed. As her training continues she realises the extent of the Spinster's control over the public. But what exactly does the powerful Guild need Adelice for? And how much leverage does this afford her? Can it keep her own family safe, or is it too late for that?

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 I loved Gennifer Albin's concept of the world constantly changing and being woven around us. The idea of the delicate balance of life being visible and tangible really appealed to me. It's refreshing to picture a completely new type of perception and reminded me of how limited our human sight is in terms of the colour spectrum. This also led to some touching imagery of individual lives being intertwined and woven together. 

Like many novels featuring totalitarian societies Crewel raises the age-old question: should you sacrifice free will for the security of crime-free authoritarianism? Albin's twist here lies in the originality of how that security is created and physically maintained. I also liked Adelice's determination and ability to appear cocky in the face of danger. She's sharp witted and seems to have an enviable knack for banter especially with her nemesis, Guild Ambassador Cormac Patton:

'But they know more than they let on,' I press. His cologne's heavy musk is making my head swim, and I can't hold back the thoughts I've locked in since my arrival.

'They do,' he admits, 'but I have so much more power. It's easier to share little secrets when you're in charge.'

'And you are?' I ask him pointedly. 'Then why tell me? You have no more reason to trust me than they do.'

'No, I don't,' he says, 'but unlike them, I can have you killed.'

'And I thought we were finally becoming friends.' 

Cormac laughs a deep, barking cackle. 'You are delightful. I do hope I don't have to kill you.'

'Finally, something we can agree on'.

Despite these perks, I found I didn't quite root for Adelice the way I have for other YA heroines like Katniss and Hannah Baker. At times she came across as a little too superficial and flirty, without Katniss' steadfast fire and hatred of the enemy. Whilst it could be argued that this makes Adelice a more realistic teenager, I would have liked to have felt that her resistance to The Guild was fueled by universal humanitarian concern rather than self-interest. This alienation was exacerbated by the fact that she struggled to strike up friendships with the other Spinster recruits. Adelice isn't short of potential boyfriends, but she sure could a have done with a few more friends.

Having said that, I couldn't help but respect Adelice's courage, survivor instinct and wit. Gennifer Albin has woven a quirky, imaginative plot throughout this novel and I'll eagerly be looking out for the sequel.  

Crewel is due to be published in the UK by Faber and Faber in October 2012

Fever Crumb by Philip Reeve‏

Fever Crumb has been born into a futuristic world still reeling from the overthrow of the ruling Scrivens (or 'homo superior' as they like to term themselves).

This is London; but not as you know it. Commuters carry Oyster shells, instead of cards, and travel by wind tram or sudan chair. What we call modern society was destroyed by a dark period referred to as the ‘downsizing’; hence most of outer London consists of empty buildings and overgrown, useless roads. Technological advances such as flight and electricity have been lost and anyone with an interest in science is considered odd. The violence of Scriven rule is still fresh in the minds of Londoners and the city is buzzing with distrust and mutiny.

A small corner of reason remains in an abandoned monument. In a head constructed to represent the former Scriven king Auric Godshank, a band of engineers reside. Protected from the mayhem of the city they quietly beaver away at their experiments, rejecting any form of emotion as a distraction. An anomaly in a society of men, Fever Crumb was found abandoned as a baby and subsequently raised by a kind engineer named Dr Crumb.

Having been brought up in a reasonable manner, the young Fever Crumb reacts calmly when she is required to leave the engineers to assist the kooky archaeologist Kit Solvent. Solvent's rag-tag children and quirky ways baffle Fever Crumb. But that's nothing compared to the bizarre illusions Solvent's work seems to evoke in her. She's left frightened by her reaction to a visit to Godshank's former residence:

"Try the door,' said Kit, and held his lantern up to light the lock.

Weird feelings of déjà visité flooded through Fever. Memories of yesterday mingled with memories of other yesterdays which could not possibly be her own. Pain was beating again at the base of her skull. She began to wonder if she were still inside her dream. If she climbed the stairs again and went outside would there be lights in the unbroken windows of Nonesuch House?"

The city grows more and more restless as Fever begins to question her own sanity. Soon her piercing odd eyes and unusual manner evoke aggressive suspicion from Londoners. 'What are you?' is the constant refrain that Fever herself cannot answer. Why does she appear to have memories that she doesn't own? What is Kit Solvent hiding from her? And can he keep her safe from the unruly and angry crowds?

                                                  ************************************

This was my first Philip Reeve read, but I’m certain it won’t be my last. I really admire his ability to create such quirky, intriguing scenarios and characters. He plays with your familiarity of London with places names such as ‘Hampster Heath’, ‘B@ersea’, and ‘Eefrow’ and hints at religious legends involving the worship of prophets such as ‘some old-world prophet, ‘Hari, Hari! Hari Potter!’Such details make up part of the intricate world that Reeve has created. Reeve shows a delightful interest in building the world of this Mortal Engines series, layer by realistic layer. Without having to take in much detail, as the novel plays out you naturally absorb a sense of the workings of the setting.

Fever Crumb, Dr Crumb and Kit Solent are all fresh, likeable and fleshy characters with believable quirks and motivations. The dialogue moves the plot along and also provides countless moments of humour. I especially loved how the pantomime-like villain Ted Swiney was drawn:

"Ted Swiney suddenly reached across the bar and lifted him up by his coat collar. His amiable act had ended. He growled softly into Charley’s ear. ‘Anything the old cloot finds, I want to hear about it. You understand?’

Charley nodded eagerly, and Ted dumped him on the floor, grinning round at his customers to show he’d just been having a bit of harmless fun with the boy. His smiling cheeks were red and round as two wax apples. He leaned over the bar to straighten Charley’s coat and pat his hair flat. ‘Now hop along. Don’t keep Master Creech waiting."

Clearly a lover of language, Reeve has created for characters such as ted Swiney a winsome fusion between cockney and 21st century text-speak. In short, this is a multifaceted, fast-paced, charming novel that has plenty to tempt older readers, young adults and the young-at-heart.

Fly By Night by Frances Hardinge

'Words were dangerous when loosed. They were more powerful than cannon and more unpredictable than storms. They could turn men's heads inside out and warp their destinies. They could pick up kingdoms and shake them until they rattled. And this was a good thing, a wonderful thing...'

Frances Hardinge's debut novel draws us into a dark, eighteenth century inspired society rife with highwaymen, rival royals, thieves, and one very aggressive goose. Amongst all this pandemonium lies a plucky young girl named Mosca Mye. Unlike the majority of her female peers, Mosca was taught to read by her father before he died. Now 12 years old and fiercely independent, Mosca is determined to leave her callous Aunt and Uncle and the damp, claustrophobic village in which they live. Having been mesmerised by the verbal dexterity of a travelling storyteller and conman named Eponymous Clent, Mosca rescues Clent from the clutches of the local magistrate and together they flee the village.

It's the beginning of an unlikely partnership, based more on the desire to keep alive than out of loyalty. Mosca's decision to hedge her bets with Clent, despite being aware of his slippery tongue and nature, shows her willingness to disregard social expectations in the pursuit of knowledge. Her love and respect for books is matched only by her affinity to Saracen, the goose that aided her escape from the village. Mosca senses the force of words and knowledge, and she thirsts after the power and freedom that they offer. What Mosca doesn't anticipate is the far-reaching consequences of her search. Together, Mosca and Clent tumble through a madcap series of events, eventually coming to the attention of the very highest, powerful members of their society. 

The plot winds unexpectedly, as does Mosca's loyalty and trust of those she meets. As a reader, this kept me constantly on my toes. Hardinge refuses to install any sort of absolutes in the novel, other than that of the desirability of free speech and education. This makes Fly By Night a refreshing intelligent, multifaceted young adult novel. There's a fair bit of humour to be found in her writing too, much of which is caused by her penchant for kooky names. She pokes fun at religious rites with her description of devout offerings: 

'They were passing a cluster of shrines. As she watched, a troop of grateful citizens trooped past the shrines, dropping different thanksgiving offerings before each icon. A biscuit for Goodman Blackwhistle. A mackerel for Goodman Sussuratch. A shiny coin for Goodman Greyglory.' 

Far from just religious-bashing however, Hardinge also intelligently dissects power, greed and the desire to crush dissent in politics, trade unions, and the royalty. This is a true gem of a book. Read it!

The Knife of Never Letting Go by Patrick Ness

'There's just no such thing as silence. Not here, not nowhere. Not when your asleep, not when yer by yerself,  never. 

I am Todd Hewitt, I think to myself with my eyes closed. I am twelve years and twelve months old. I live in Prentisstown on New World. I will be a man in one month's time exactly.'

Tired of their broken and warring planet, a band of religious settlers travel through space in search of a simple life. Despite their best intentions, things don't exactly get off to a great start when they arrive. Because this new planet has the uncomfortable effect of making your thoughts audible and this doesn't exactly make for harmonious living. 

Todd is born into this New World in a cruel dead-end town full of bitter and broken men thinking bitter and broken thoughts. The women and girls of the town were killed off by the same virus that revealed their thoughts and the only bright spots in Todd's life are his two guardians Ben and Cillian and his daft dog Manchee. On a relatively quiet farm outside the town, the family of three scrape out a bearable living until the day that Todd discovers a mysterious patch of silence. Suddenly, everything changes. The town's sinister elders come for him with rifles and Todd has no choice but to flee. But why won't Ben and Cillian tell him where he needs to go? And how come they already had a bag packed for his departure? What does the silence mean?

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Warning: this book becomes incredibly hard to put down just after the mid-way point. It's a beast of a YA novel, almost 500 pages, and the pace initially took me some getting used to, especially with the cyclical nature of Manchee and Todd's speech. Patrick Ness has positioned Todd's internal dialogue as the narrative voice, and his efforts to represent natural thought processes makes for some repetition and slow going at first. But Ness is also incredibly skilled at creating separate distinct voices which he then weaves into the narrative. And Todd's thoughts naturally quicken alongside fast paced action, in a way that brings the reader right into the thick of the story. The sights and sounds he experiences are vividly described in what feels like real-time, and as the pace built I was truly sucked into the story.

I loved how immersed I became in this book, largely down to the unpredictable action. At one point I was literally repeating 'no!' out loud and committed the sin of skipping ahead pages to make sure I wasn't reading a dream sequence.

Ness clearly has a love of delving into the psyche of dark and creepy characters and some of the most chilling parts of the novel feature Todd attempting to do the same. But at the same time, he has also created other characters that manage to be both likable and multi-dimensional. It's clear that even in the New World, nobody's perfect. I love the fact that there are no perfect heroes in this book as it feels like a much more realistic representation of human nature. In the end, it is hope and affection that sets the characters apart, rather than plain good morals.

So the plot is unpredictable, engaging and shocking enough to satisfy the most blood-thirsty of young readers. It's hard to tell whether the unusual narrative style would put hesitant readers off or engage them. I've been a fan of kooky typography since first reading Jonathan Safran Foer so perhaps I'm biased. But it's definitely well worth a read - I'll certainly be getting my mits on the sequel.

Guantanamo Boy by Anna Perera

"Welcome to Guantanamo Bay Prison. You're now the property of the US Marine Corps. Heads down!"

"It's not often that Khalid can look at his life from a distance. But, instantly, he can see himself clearly for once. He's another meaningless bent orange shape dropped into some weird world game, the sun fixing him here on this lump of tarmac like a dart in his back. He's nothing but an orange heap for soldiers to toss around because they think he's a terrorist who wants to blow up cites. Think he hates the West, even though he lives there and doesn't know anything about weapons of mass destruction or bombs or buildings crashing to the ground in New York."

There’s nothing unusual about 15 year old Khalid. He’d much rather be playing a computer game than polishing his school shoes. He hasn’t got a clue how to flirt with girls, and there is no way he’s leaving England to visit his father’s boring family in Pakistan. Especially when his football team is so close to being promoted.

Unfortunately for him Khalid’s parents disagree, and they soon arrive in the bustling Pakistani city of Karachi. What Khalid finds there is far from boring. The streets are filled with whispers of U.S troops and terrorist informers, and Khalid’s worst fears are horribly realised when he’s kidnapped and detained for questioning by U.S troops.

Surely they’ll quickly realise he’s innocent and release him? They can’t possibly send a 15 year old to Guantanamo Bay. Can they?

This book combines that chilling mixture of everyday normality and unimaginable horror. It’s the kind of story that really haunts you because it depicts a horribe situation that could so easily be true. As the author notes, ‘although Guantanamo Boy is a work of fiction, it is inspired by real events. It remains a fact that children have been abducted and abused and held without charge in the name of justice in Guantanamo Bay and many other secret prisons around the world.’

I certainly couldn’t put this down. I can’t say it was always an enjoyable read, but it was definitely immersive and thought provoking. Whilst this book carries a strong and valuable political message, the overriding sentiments are that of love and the support of family and friends. Khalid is well drawn and Anna Perera does a brilliant job of persuading even the most indifferent of readers to truly care about his wellbeing. She does this subtly over the course of the story, and I found my affection for him building slowly whilst my full attention remained centred on his inhumane treatment.

Unlike many other novels dealing with similar stories of abuse, the narrative of Guantanamo Boy is lightened by lifelike humour and small acts of kindness. This contrast allows the darker moments to retain their sharpness, and it allowed me to keep reading for long periods of time without feeling emotionally drained.

Anna Perera has highlighted the importance of human kindness in a truly remarkable setting. This book needs to be in every school library.

The Book of a Thousand Days by Shannon Hale

In a brutal and archaic punishment a beautiful young Lady is locked away in a rat-infested tower for 7 years. Her father imprisons her after refusing a favoured Lord's hand in marriage. The only one brave, or perhaps foolish, enough to accompany her to this prison is her faithful maid Dashti.

Dashti and Lady Saren live in a mystical land overseen by distant pagan gods who rule through the privileged gentry. Stripped of her family, Dashti has never known luxury and has faced a daily battle to stay alive. In contrast, Saren is a pampered princess to whom the squalor of the tower is a brutal shock.

Despite their differences the girls slowly build a routine and begin to fashion a home for themselves. At times their readiness to accept their situation felt slightly offbeat. However, it soon becomes clear that for both girls the prison develops elements of a sanctuary from the outer world as Dashti begins to suspect that Saren's extreme fear of her rejected suitor is far from natural.

Dashti is a mucker, a peasant class known for singing songs of healing. Her talent and empathy for healing the pain of others renders her blind to her own feelings and she soon becomes unwillingly entangled in a web of deceit and mistaken identities. Think Twelfth night meets Emma with a touch of Brothers Grimm.

Dashti's stubborn respect for the gentry verges on irritating and her patience with the pathetic Lady Saren is beyond understanding. This does make for an interesting take on the corruptability of religious belief but it felt overdone at times.

That being said, Shannon Hale's engaging and humorous style kept me turning the pages and the book definitely lightens up in the second half. It's a sweet story with slightly gothic moments and a few twists and turns. Would recommend if you've got a weakness for fantasy teen romance.

Thirteen Reasons Why by Jay Asher

Clay Jensen gets mail. Mail in the form of a series of audiotapes recorded by the enigmatic Hannah Baker. Hannah is Clay's long-time crush and fellow classmate, who commited suicide two weeks earlier. Clay spends one long sleepless night listening to the tapes, and what he hears changes his life forever.

I hope you're ready, because I'm about to tell you the story of my life. More specifically; why my life ended. And if you're listening to these tapes, you're one of the reasons why.

Hannah's witty and sardonic voice is the life and soul of the book, and at times the character of Clay Jensen can seem wooden and under developed in comparison. Nevertheless, this is an easy read with emotional impact which tackles issues such as date rape and suicide in a frank and intelligent way.

Occasionally the switching between Clay and Hannah's dialogues was frustrating, mainly because Clay's voice sometimes lacked authenticity. Their story was genuinely touching however, without being overly sentimental. The premise was concise and convincing, and while the ending felt like it had perhaps stopped too suddenly, for me this just added to the tragic nature of Hannah's story.

One of the novel's best qualities is its ability to open up debate around suicide, as well as causing the reader to question how each of our actions can affect those around us. Definitely one which stayed with me long after I put it down. Worth a read.

Catching Fire by Suzanne Collins

Still job hunting for that ever illusive first paid position in publishing. In between working two jobs to save money for an internship and eating tapas with my mad friends, I'm still feeding my obsession for young adult ficiton.

Have also invested in a blackberry which is making job hunting and blogging a hundred times easier than before :D

Here's another review I've just posted of one of my favourite ever YA titles. Warning: contains spoilers! do not read if you have not already read the incredible first novel in the series, The Hunger Games by Suzanne Collins.

Not only are we in the districts forced to remember the iron grip of the Capital's power each year, we are forced to celebrate it. And this year I am one of the stars of the show.
Katniss Everdeen is once again fighting for her life in this nail biting sequel. Despite surviving the deadly Hunger Games against all odds Katniss and fellow tribute Peeta are far from home safe and dry. Their survival is a direct threat to the Capital which rules them, and the gamemakers are out for revenge.

Fearing for their families' lives, Peeta and Katniss are again forced to play their part as star crossed lovers in the Capital's games. Will this be enough to keep their loved ones safe? And will Katniss succeed in her plan to keep Peeta alive by sacrificing her own life?
The incredible Hunger Games is a hard act to follow but Suzanne Collins has maintained her distinctive adrenaline fuelled pace in Catching Fire. The sequel delves deeper into the relationships between characters, especially the twisted love triangle of Peeta, Katniss and her best friend Gale.

In any other situation Katniss would come across as a spoilt brat with the choice of all the cookies in the jar. Instead, her dilemma is a direct result of the controlling and manipulative Capital. Katniss's frustration at living a life restricted by others is one which I'm sure many teenagers can relate to.

The boundaries between friend and foe blur in Catching Fire, as Katniss struggles to hold on to her sense of who and what she is fighting for. Katniss's most endearing qualities are also her faults. She is stubborn, impatient, quick to judge and completely human. By placing this apocalyptic story in the hands of such a realistic character, Collins is able to question human morals without preaching. And more importantly, this is done without interrupting the fast paced action.

A must read if you loved The Hunger Games.